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Thursday
Mar192015

Religious Observance

Info

Boo-Hooray, LA
413 Rose Ave.
Venice, CA 90291
March 19 – April 19, 2015

Words

After recently holding an exhibition devoted to the work of Ed and Deanna Templeton at the LA Art Book Fair, New York's Boo-Hooray gallery continue to exert their influence on the West Coast with a group photography show featuring the likes of Ray Potes, Tobin Yelland, C.R. Stecyk III, Andrea Sonnenburg and Jerry Hsu. The curation is logically complimentary, bringing together artists whose obvious confluence is where the subcultural fields of skateboarding, zine making and street photography meet. Following an opening reception between 7 and 10pm tonight, the exhibition can be viewed by appointment until April 19th.  

Boo-Hooray

Wednesday
Mar182015

Scugnizzi by Brett Lloyd

Info

First edition, 2014
Softcover
6.75 x 9.5 inches

Words

The thought of summers on the Mediterranean often seem dreamy and romantic, but Brett Lloyd's Scugnizzi, published by Dashwood Books, presents another perspective. Focusing on the beaches of Naples, the London-based photographer captures a different kind of beauty, paying particular attention to colour, the region's youth, and the richness of southern Italian culture.

Available from Dashwood Books

Tuesday
Mar172015

Lunge Adagio

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—01. Made in Germany.

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I feel like I’ve professed my admiration for predominantly grey running shoes enough that it probably goes without saying. In spite of that the internal dialogue remains, with the consistent question rattling around in my brain: "But do they come in grey?" Enter Lunge, the German shoe manufacturer, whose simple but technical runners come in a number of variations of almost every grey colourway, as well as other colour options for the more adventurously inclined. The Adagio style, designed for long distance running, features signature details such as premium suede, a distinct high traction sole unit, and the graphic use of venting on the sides and toe box.

Available from Branch

Tuesday
Mar172015

Our Legacy Eyewear

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—01. Embrace.

Words

This spring Our Legacy have become the latest brand to add a range of eyewear to their offering. Handmade in Portugal, the glasses feature an anti-scratch coating, Carl Zeiss UV400 lenses and Italian Mazzucchelli acetate frames.

Available from Our Legacy

Monday
Mar162015

Martin Wong: Painting Is Forbidden

Info

The Wattis Institute
360 Kansas St.
San Francisco, CA
March 13 – April 18, 2015

Words

Even though Martin Wong will be returning to his birthplace by the bay for his posthumous show Painting Is Forbidden, to me he will forever be a New York artist. Both stylistically and conceptually, you would be hard-pressed to find an artist whose work embodies the turmoil of '70s and '80s New York more than Wong's. With an approach that sits somewhere between Philip Guston, Rick Griffin, and Jacob Lawrence, everybody is sure to find something they admire in the decade-spanning body of work presented at this show.

The Wattis Institute

Monday
Mar162015

Maharam Frame Bag

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—01. Made in USA.

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Made with ripstop nylon, the Frame Bag is designed by Konstantin Grcic for Maharam. The deep indigo colour gives the bag a dark, minimal look allowing the details of the lattice frame structure to be the focal point. The large, self-lined holdall style also features a useful interior pocket and a durable vinyl base.

Available from Several;

Sunday
Mar152015

Jealous God 06

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01. Pre-order exclusively through Mount Analog.
02. Special edition package, limited to 300 copies.

Words

Jealous God is run by Silent Servant, Regis, and James Ruskin, arguably the three most celebrated, multi-faceted producers in the history of techno, and the output very much reflects that in both quality and diversity. The latest installation is a split 12-inch that has New York-based noise artist Lili Schulder, aka 51717, joining Silent Servant on what might be the label's most disconcerting release yet.

Pre-order from Mount Analog

Sunday
Mar152015

Weekend Viewing: Stop Making Sense

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—01. Directed by Jonathan Demme, 1984.

Words

Stop Making Sense is arguably one of the the best and most universally acclaimed concert films ever released; the only other options I would personally single out for top honours are Don’t Look Back and The Last Waltz when taking into account the scope and innovation that all these films exhibit. This fresh take on the somewhat worked over concert documentary owes a huge debt to the filmmaking mastery of director Jonathan Demme, but Talking Heads are equally responsible for steering this document, comprised of three separate nights of concerts, to entirely unique and interesting places. The film starts with David Byrne bringing out a boom box, announcing "I've got a tape I wanna play," and then launching into 'Psycho Killer.' Subsequently adding a band member and more set pieces to the stage over the next few songs, it's an entirely individual introduction to one of New Wave’s most distinct acts. Complete with cinematic nods to Dr. Strangelove, Breathless and Japanese Noh theatre, Stop Making Sense even includes some delightful continuity errors that were unavoidable due to performances being edited down from the multi-night takes. Keep your eyes out for Tina Weymouth’s transforming bass guitar and a beach ball that never touches down.

Palm Pictures

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